I agree with the other two critics so I'm going to write about other elements of this deviation.

I really love the line quality. I'm impressed that you do not use the same line width and tone as I see in so many deviations. Instead you vary your line creating thick and thin, dark and medium, using the lines to help bring focus to the right areas.

I especially love the lines around the lamp. That thick gray line around the top of the lamp is gorgeous (as far as lines go, that is). You also vary the line around the knives. It's very subtle but it's there. then you have the solid lines that zig-zag across the bottom of the image creating a nice static imagery that contradicts the vertical lines created by the knives. These are little details that helps pull this image together that others may or may not notice because they're too busy looking at the obvious (by the way, I live the implication the heart represents).

As much about the visual interplay of elements as it is about a mordant, rueful sense of humor; this piece utilizes some of your greatest strengths as an artist and designer-- an instinct for rhythm and repetition played against a powerful sense for where the center of focus should be, and how colors can combine for maximum impact, resulting in a singularly arresting image, even if the knives had merely been stripes and the lamb had been an abstract, anomalous shape-- the merry prankster in you can't resist using images loaded with emotionally charged significance, so the skillfully accomplished graphic force is accompanied by shockwaves of evocative symbolism-- the lapsed Catholic in me always undergoes a kind of transgressive thrill to see you playing with these ideas, but your best work, like this one here, also carries with it an unlikely sensitivity and underlying respect for the emotions brought into play. Extraordinary, explosive work, gleefully unbridled and eloquently disturbing.